Haarlemmer Houttuinen Housing

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Haarlemmer Houttuinen Housing

Mismatches
Financing
Urban Design

Main objectives of the project

The primary objectives of the Haarlemmer Houttuinen Housing project in Amsterdam were to establish a lively and community-focused environment. Architect Hertzberger aimed to create an intimate, pedestrian-friendly street, limiting access to residents' vehicles. The design prioritized fine-tuned scale, fostering a sense of community, and incorporating distinctive architectural elements to enhance the unique character of the residential quarter.

Date

  • 1987: Construction

Stakeholders

  • Architect: Herman Hertzberger

Location

Continent: Europe
City: Amsterdam
Country/Region: Amsterdam, Netherlands

Description

The Haarlemmer Houttuinen Housing in Amsterdam is squeezed between a busy main road and railway to the north and Haarlemmerstraat to the south. The north block was built by Hertzberger, the one to the south by the architects Van Herk & Nagelkerke. The two blocks are separated by a pedestrian street connected to Haarlemmerstraat by two gateway buildings also designed by Van Herk.

Hertzberger s housing block has projecting piers with balconies that give rhythm to the street. Each pier marks the entrance to four maisonettes and supports the balcony of the upper two. All entrances to the dwellings are off the street and balconies and gardens overlook it. Fine-tuning of scale is

achieved by tiles in the centre of the lintels and the granite pads supporting them, and by the different sized square windows which syncopate rhythms and let in light along the ceilings where window heads have been kept closed to give intimacy within.

Hertzberger wanted the new street to be a lively community area. The street is accessible only to residents cars and delivery vehicles. With the street closed to general motorised traffic and measuring only 7 metres in width, an unusually narrow profile by modern standards, a situation is created reminiscent of the old city. Street furnishings such as lights, bicycle racks, low fencing and public benches are distributed in such a way that the passage of traffic is obstructed with only a few parked cars. Some trees are planted to form a centre halfway between the two street sections. The lower maisonettes can be entered from their tiny gardens in the street, while the upper units can be reached by external stairs to a shared landing at first floor level, where the front doors are. While the extended block on the north side of the street provides shelter from the busy main road and railway behind it, the south-side block is one storey lower to allow the sun to shine in the street. In this respect, the scheme reinstates the original function of the street as a place where local residents can meet. Streets which no longer serve exclusively as traffic thoroughfares are increasingly seen on the new housing estates and in urban renewal projects. The interests of pedestrians are being taken into consideration, and with the recognition of the woonerf as a street space in a residential area where pedestrians enjoy legal protection against traffic, they are slowly regaining their rightful ground. The decision to reserve a strip 27 metres wide fl anking the railway for traffic purposes forced Hertzberger to build up to this imposed limit of alignment. As a result there was no room on this side for back gardens, which might in fact have been permanently in the shade. Unfavourable factors such as undesirable orientation and traffic noise meant that the north side would have to accommodate the rear wall, and so automatically all emphasis came to lie on the street side which faces south. The north side has no entrances or balconies. The long, continuous rear wall forms a sort of city wall marking the limits of the residential quarter and setting it apart from the railway viaduct, the open area beyond and the harbour in the

distance. In order to involve the rear view in the architecture, the upperstorey dwellings were given bay windows. These are the only plastic features in an otherwise unarticulated wall.

Netherlands: NWB Bank (Nederlandse Waterschapsbank) affordable housing bonds

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Netherlands: NWB Bank (Nederlandse Waterschapsbank) affordable housing bonds

Main objectives of the project

Date

  • 1954:

Stakeholders

  • NWB Bank

Location

City: Vaassen
Country/Region: Netherlands

Description

The NWB Bank is a large Dutch public investment bank, set up in 1954. In 2017 it created the SDG Housing Bonds, focusing on specific impact drivers for affordability and energy efficiency in social housing, to attract dedicated investors into affordable housing provision. This product won the best social bond award in 2018 and 2019 by the Environmental Finance investment analysis service. These affordable housing bonds are priced according to demand and strategically marketed to a small pool of investors interested in social and green housing. To date they have been significantly oversubscribed. The bonds fund loans for the provision, renovation and retrofitting of income-targeted social housing in the Netherlands, managed by not-for-profit organizations. Social bond investors demand transparency, requiring high standards of reporting. Further work is needed to define the affordable and social benchmarks used in investor reports, as these can change. In addition, NWB co-operates with Aedes, the representative body for social housing providers in the Netherlands, to produce key performance indicator data on the bonds’ impact on social housing provision. The two organizations also organize regular site visits to the developments funded by the bonds’ investors to see the impact of their investments. 

Authors:

Verdana Blok K

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Verdana Blok K

Urban Design Environments Quality Liveability

Main objectives of the project

Blok K, part of the Het Funen master plan by Architecten Cie, consists of ten houses organized in a "back-to-back" typology. The apartments have their entries through a central aisle, eliminating the need for storage spaces on the facades. By slightly rotating the aisle and directing it towards open spaces between the blocks, a public shortcut and diagonal vista are created. Each house is unique, with apartments spanning two to four stories and ranging from 140 to 180 m², but they form a cohesive whole.

Date

  • 2009: Construction

Stakeholders

  • Architect: NL Architects

Location

Continent: Europe
City: Amsterdam
Country/Region: Amsterdam, Netherlands

Description

Blok K or Verdana, is part of a master plan by the Architecten Cie, called Het Funen, Hidden Delights , which calls for a total of 500 dwellings and a park. The block contains ten houses and the point of departure for the project was that the urban envelop should be distributed evenly over all of them.
Having been organised according to the “back-to-back” typology, the entries to the apartments are via an aisle in the middle of the block, which rids the facades of the obligatory storage spaces and technical installations that must be publically accessible. By slightly rotating the aisle and orienting it onto two open spaces between the blocks instead of onto two “blind” walls, a public shortcut has been provided and within the orthogonal grid a diagonal vista opens up. Although each of the houses are unique, with apartments ranging from two to four stories, and from 140 to 180 m², together they are one.

Authors:

DeFlat Kleiburg

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DeFlat Kleiburg

Urban Design Environments Liveability Equity

Main objectives of the project

De Flat is a groundbreaking renovation of Kleiburg, one of the largest apartment buildings in the Netherlands. It consists of 500 apartments, spanning 400 meters in length and 10 + 1 stories high. Consortium De FLAT saved the building from demolition by transforming it into a Klusflat, where residents renovate their own apartments. Kleiburg is located in the Bijlmermeer, an Amsterdam residential expansion influenced by CIAM.

The renovation focused on preserving the main structure while leaving the apartments unfinished, creating a new housing business model in the Netherlands. Instead of individualizing and differentiating the building, the goal was to embrace unity and revitalize the entire structure. Concrete additions were removed, restoring the original horizontal balusters and opening up the facade. Sandblasting revealed the beauty of the pre-cast concrete balusters.

The storage spaces were relocated to each floor, freeing up the ground level for social activities and integrating the building with the surrounding park. Double-height connections were created to enhance scenic relationships. Energy-saving motion detectors were used for gallery illumination, allowing the individual apartments to shine.

Overall, De Flat showcases the intrinsic beauty of the building, emphasizing unity, and creating a unique housing concept.

Date

  • 2016: Rehabilitación

Stakeholders

  • Architect: XVW architectuur
  • Architect: NL Architects

Location

Continent: Europe
City: Amsterdam
Country/Region: Amsterdam, Netherlands

Description

De Flat is an innovative renovation of one of the biggest apartment buildings in the NL called Kleiburg, a bend slab with 500 apartments, 400 meter long, 10 + 1 stories high. Consortium De FLAT rescued the building from the wracking ball by turning it into a Klusflat meaning that the inhabitants renovate their apartments by themselves. Kleiburg is located in the Bijlmermeer, a CIAM inspired residential expansion of Amsterdam.

A renewal operation started mid nineties. Many of the characteristic honeycomb slabs were replaced by suburban substance, by ‘normality’.

Kleiburg was the last building in the area still in its original state; in a way it is the “last man standing in the war on modernism”.

The idea is to renovate the main structure -elevators, galleries, installations- but to leave the apartments unfinished and unfurnished: no kitchen, no shower, no heating, no rooms. This minimizes the initial investments and as such creates a new business model for housing in the Netherlands.

Most attempts to renovate residential slabs in the Bijlmer had focused on differentiation. The objective: to get rid of the uniformity, to ‘humanize’ the architecture. By many, repetition was perceived as evil.

But after three decades of individualization, fragmentation, atomization it seems an attractive idea to actually strengthen unity: Revamp the Whole!

It is time to embrace what is already there, to reveal and emphasize the intrinsic beauty, to Sublimize! In the eighties three shafts had been added including extra elevators: they looked ‘original’ but they introduced disruptive verticality. It turned out that these concrete additions could be removed: the elevators could actually be placed inside the cores, the brutal beauty of the horizontal balusters could be restored.

On the galleries the division between inside and outside was rather defensive: closed, not very welcoming. The closed parts of the facade were replaced with double glass. By opening-up the facade the ‘interface’ becomes a personal carrier of the identity of the inhabitants, even with curtains closed…

Sandblasting the painted balusters revealed the sensational softness of the pre-cast concrete: better than travertine!

Originally the storage spaces for all the units were located on ground level. The impenetrable storerooms created a ‘dead zone’ at the foot of the building. By positioning the storage on each floor we could free up the ground floor for inhabitation, activating it to create a social base and embedding the ‘beast’ in the park.

More generous, double height connections between both sides of the building were formed creating scenic relationships.

Gallery illumination has a tendency to be very dominant in the perception of apartment buildings with single loaded access. The intensity of the lamps that light up the front doors on the open-air corridors overrules the glow of the individual units. The warm ‘bernstein’ radiance of the apartments is ‘obscured’ by a screen of cold lights. But what if the gallery lights worked with energy saving motion detectors? The individual units now define the appearance. Every passer-by a shooting star!

Authors:

Schots 1 and 2

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Schots 1 and 2

Urban Design

Main objectives of the project

Date

  • 2002: Construction

Stakeholders

  • Architect: S333 Architecture + Urbanism

Location

Continent: Europe
City: Groningen
Country/Region: Groningen, Netherlands

Description

Further to winning the Europan 3 competition, in 1994 S333 were commissioned to develop a structure plan for the CiBoGa terrain, a 14-h, post-industrial site on the edge of the centre of Groningen.S333 identified the site as being part of a larger urban ring structure of strategic importance to the city’s ecological structure. The urban plan adopted by the city proposes 13 schotsen “compact building blocks eroded internally by new forms of semi-public space”, which float in an open landscape that operates as a filter zone between the city centre and the 20th-century housing extensions. Schots 1 and 2 resolve the conflict between the desire for spatial openness and the requirements for programmatic intensification by creating a “volumetric landscape” of 300 underground parking places, 110 winter gardens, 105 apartments, 44 houses, 14 patios, eight shops, four vertical gardens, three collective roof gardens, two courtyards, two supermarkets, and one medical centre. Schots 1 and 2 could be seen as a contemporary reading of the “megaform”. This is a large complex system that extends horizontally and is capable of inflecting the existing urban landscape. It acts as a continuation of the surrounding topography and orients itself towards the densification of the urban fabric.

. Schots 1 and 2, within this plan, harmonize spatial openness and programmatic intensification, accommodating various facilities such as parking, gardens, apartments, houses, shops, and medical centers. These blocks represent a contemporary interpretation of the "megaform" concept, extending horizontally and integrating with the existing urban fabric. Schots 1 features a multi-storey glass facade with varying transparency levels, while the building's design concentrates density at specific points and incorporates roof terraces that connect with the surroundings. Therefore Schots 1 and 2 are conceived as a single building form, which is nonetheless sculpted by flows that allow the blocks to evolve independently above street level. Schots 1, a robust multi-storey block, is clad entirely in floor-to-ceiling glass with varying levels of transparency, reflection and opacity. Filling the awkward site, rather than imposing its mass directly on its surroundings the building concentrates the density at three points, creating in-between roof terraces that mediate with the context.

Authors:

Chassé Park Apartments

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Chassé Park Apartments

Urban Design

Main objectives of the project

Date

  • 2002: Construction

Stakeholders

  • Architect: Xaveer De Geyter Architects

Location

Continent: Europe
City: Breda
Country/Region: Breda, Netherlands

Description

This apartment block is part of an urban plan by OMA, focused on preserving open space in a former military base for a new public park while achieving housing density similar to the city center. The project includes five residential towers on a parking ring surrounding a sunken inner garden. The towers are positioned closely together, with different orientations based on factors like views, sunlight, and the composition of the parking ring and inner garden. The towers vary in the number of apartments per floor, resulting in minor differences in ground plans. The façades feature white glazed brick, vertical windows alternating with concrete panels, and glass panels with a concrete structural mesh. Each apartment has a spacious winter garden that can be used as an external space or an extension of the living room. This apartment block forms part of an urban plan by OMA, which was focussed on preserving as much as possible of the open space of a former military base for conversion into a new public park, while creating a housing density similar to the one in the city centre. This was achieved by a campus model, in which very different building types are juxtaposed inside the park. Given the diversity of scale, typology and materials involved, the coherence of the plan is provided by the park. The project consists of five residential towers on top of a parking ring, which surrounds a sunken inner garden onto which the entrances to each tower open. The light, transparent parking ring rises 1.5 m above ground level. The towers are positioned tightly together, each with its own orientation, their position relative to one another determined by factors such as outward and inward views, exposure to sunlight, the layouts of the parking ring and the inner garden, and the transparency of the composition. Three of the five towers have two apartments per floor, the fourth has one and the fifth has four. The varying relative position of the towers creates minor differences in ground plans.

The façades overlooking the inner garden are of white glazed brick to reflect sunlight, and have small horizontal windows. Other façades feature vertical windows alternating with anthracite prefabricated concrete panels with a slate inlay. The third type of façade consists entirely of glass panels, some with a concrete structural mesh behind the glass. The parking garage roof is of translucent polyester. Each apartment has a large winter garden, with sliding glass walls opening both outwards and inwards, which may be used as an external space, as an extension of the living room or as a separate room.

Authors:

Sphinxes

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Sphinxes

Urban Design

Main objectives of the project

Date

  • 2003: Construction

Stakeholders

  • Architect: Neutelings Riedijk Architects

Location

Continent: Europe
City: Huizen
Country/Region: Netherlands

Description

The five 'sphinxes' feature fourteen apartments each, maximizing sunlight and lake views. The buildings taper towards the water, creating a distinctive profile resembling a sphinx. The penthouse apartments in each block have unique designs, forming a striking skyline seen from the Stichtse Bridge. The fringe of reeds surrounding the sphinxes serves as a transition to the shore and a water treatment filter. Concrete landing stages provide access to the buildings, which have silver-coloured metal cladding. The public space includes lookout points, a surf beach, a village square, a wind balcony, and a fishing jetty.

The five 'sphinxes' each contain fourteen apartments arranged so as to make the most of the location and sun light. The blocks taper in plan towards the water thereby maximising unobstructed views of the lake both from the shore and from the apartments. As one moves up the building, each floor contains one less apartment. The result is a sphinx-like profile with the sun-oriented roof terraces situated on the slanting back of the mythical beast. The design of the penthouse apartments is different for each block giving rise to a rhythm of distinctive heads - a striking skyline seen from the shore approach of the Stichtse Bridge that links the new polders with the old mainland.

The sphinxes stand in a fringe of reeds that serves both as a gentle transition with the shore and a hydrophytic filter for water treatment. Concrete landing stages cut through the reeds to provide pedestrian access the sphinxes and next to them lie the sunken entrances leading to the underwater garages that double as foundation tanks. The façades are clad with silver-coloured metal sheets.

The public space has been designed as an integral part of the scheme. At five points along its length the esplanade turns into a look-out bastion, a surf beach, a village square, a wind balcony and a fishing jetty.

Authors:

Haarlemmer Houttuinen Housing

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Haarlemmer Houttuinen Housing

Urban Design

Main objectives of the project

Date

  • 1987: Construction

Stakeholders

  • Architect: Architectuurstudio HH

Location

Continent: Europe
City: Amsterdam
Country/Region: Amsterdam, Netherlands

Description

Authors:

Groningen, Netherlands

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Groningen, Netherlands

Groningen, Netherlands

Main objectives of the project

The 'Super-Shell' housing system offers maximum freedom for personalization. The houses are sold empty, providing only the structure and facades, allowing users to choose the position of installations within the house. This strategy empowers users to become the architects of their own homes, increasing personalization possibilities. The system offers seven different layouts printed on transparent paper, allowing users to combine and choose the most suitable configuration for their lifestyle. A catalog of facade types is also provided to enhance personalization based on light, views, and open-air spaces. The exterior personalization reflects the contrast between individual and collective identity, while avoiding the uniformity of the first modernity housing system. Additionally, a nine-story tower with flexible housing typology, including apartments for people with disabilities, was added to the project, along with new public spaces.

Date

  • 2012: Rehabilitación

Stakeholders

  • Architect: Casanova+Hernández architects

Location

Continent: Europe
City: Groningen
Country/Region: Groningen, Netherlands

Description

The ‘Super-Shell’ houses system provides the user maximum level of freedom to personalize his house. The house is sold completely empty, offering only the structure and the facades, without any installations or rooms inside. Three strategically holes located in the floors allow the user to choose the position of the installations within the house after bying it. In this project several strategies have been applied to allow the personalization of the houses:

By choosing this strategy, the house is thought and designed by the user under certain frame conditions. The user becomes the architect of his house in the same way he is becoming nowadays the architect of his own life.

The possibility of placing kitchen, toilets and bathrooms in very different positions, combined with the flexibility of choosing the position for the rest of the rooms, increases enormously the number of possible layouts of the house and its level of personalization.

Another strategy tested in this project to offer a wide range of possibilities to personalize the houses, has been to provide seven different layouts of ground floors, first floors and second ones printed on transparent paper. The user has been able to combine the transparent papers to decide which layout suits better his way of living.
In total 343 layouts are possible with this system.

A catalogue of different façade types has also been provided to personalize further the house in order to satisfy the interior necessities of light, views and possible open air spaces.

On the one hand the personalization of the exterior of the house reinforces the contrast between individual and collective identity and reflects the social conflict between individualization and society. On the other hand the personalization of the house avoids the typical result of the housing system of the first modernity according to which every family had the same identical dwelling with the same appearance.

The nine-storey tower added during the development process, contains 16 apartments for people with disabilities +25 apartments, with a super-flexible housing typology and with some new public spaces.

Authors:

Individual rent assistance in the Netherlands

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Individual rent assistance in the Netherlands

Mismatches
Policies and regulations
Financing
Ownership and tenure

Main objectives of the project

Date

Stakeholders

  • Promotor: Tax and Customs Administration of the Netherlands

Location

Continent: Europe
Country/Region: Netherlands

Description

The well-established Dutch scheme of individual rent assistance is based on a quality point system for rent-setting and is provided directly to tenants.
Unlike the United States system, the Dutch tax department assesses household incomes and makes direct payments to eligible households – being households with low to moderate income or reliant on social assistance. Unlike the United States, the scheme is not capped, but it is limited in other ways.

Importantly, rent assistance is conditional on households occupying moderately priced dwellings and it only pays part of the rental costs. As mentioned above, dwellings are assessed by an annually indexed government point system based on quality and space, and assistance is only provided to dwellings under a cost limit. Nevertheless, most modest rental dwellings fall below this and 33 per cent of households in the social sector can receive allowances.

Authors: